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Deux Filles \ Silence And Wisdom + Double Happiness (2xCD) [LTMCD 2577]

Back in 1982, many were happy to believe that Deux Filles really were a pair of tragic French orphans named Claudine Coule and Gemini Forque. In reality, the ambient/instrumental duo comprised Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and songwriter/technician Colin Lloyd Tucker.

As Deux Filles the pair released two highly regarded albums: Silence & Wisdom (1982) and Double Happiness (1983), both of which are included in this deluxe digipack 2xCD package. Guests include Matt Johnson (The The), Annia Hogan and John Porter. Remastered by Colin Lloyd Tucker, the booklet features interviews with Turner and Tucker along with archive images and the original linber notes.

Full tracklist:

1. The Letter
2. L'Intrigue
3. Drinking at a Stream
4. Oakwood Green
5. Children of Clay
6. Sur la Plage
7. Her Master's Voice
8. The Draw In Room
9. She Slides
10. Fleur's Doll
11. Mortuary
12. The City Sleeps
13. Silence and Wisdom
14. Festival

1. Our English Friends
2. Piroette
3. The Third Movement
4. Play Room
5. Starboard She Said
6. Los Estrellas
7. Albert the Mud Fish
8. Who Art In Heaven
9. Shackleford Breeze
10. 2 Blind 2 See
11. Zazinthos
12 Air Tube
13. Little Brown Jig
14. Tongues
15. Shalama
16. The Sun on the Sea
17. Interlude
18. The Snow Falls and the Village is Overflowing With Children
19. Double Happiness

A limited edition of 100 copies signed by Claudine and Gemini, complete with an exclusive insert is exclusively available from LTM Mailorder at £20.00 per copy.

Silence And Wisdom + Double Happiness LTMCD 2577

Reviews:

"Sulty atmospheres, dreamy layers of music" (Uncut, 02/2013)

"Drifting and wistful, they're a pair of lost ambient gems dragged back into the limelight. With excellent sleevenotes and period photos, this reissue should be snapped up. 4 stars" (Record Collector, 02/2013)

"With numerous friends, including versatile Matt Johnson and Annie Hogan, the girls have built an insular solitude which breathes calm and order. Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)